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- Small Ensemble
- Tonal/Classical
Cantus Firmus: growing and shrinking melodies
The ensemble creates one by one a growing melody, then plays backwards until the beginning note returns
- Small Ensemble
- Tonal/Classical
Cantus Firmus: variations
Further variations on the growing and shrinking melodies. Canons and solos.
- Large Ensemble
- Small Ensemble
- Tonal/Classical
How to improvise with minimal techniques
Minimal techniques are used both to provide structure and to allow freedom, within a framework.
- Large Ensemble
- Small Ensemble
- Tonal/Classical
How to integrate Messiaen's techniques into an improvisation
The musicians are informed about Messiaen's use of modes, rhythms and structural aspects. All these elements are trained in a systematical way, after which they can be applied in a final improvisation.
- Tonal/Classical
- Small Ensemble
Series 1 - Classical structure - periodic phrase
Improvising with Classical structures
- Tonal/Classical
- Small Ensemble
Improvising Canons
This exercise is for two players, one leader and one follower. The leader improvises a melody, which the follower plays in time exactly one bar later, like a canon.
- Small Ensemble
- Tonal/Classical
Series 2 - Ensemble improvisations, from baroque style to tonally free
Improvisations from Baroque style to tonally free
- Tonal/Classical
- Small Ensemble
Variations on the Canon exercise
This exercise is a variation on exercise 3, with multiple followers. The leader improvises a melody, which the followers play at any time-interval agreed upon, like a canon.
- Tonal/Classical
- Small Ensemble
Series 1, Ex. 4 - Enhancing active listening in chamber music
- Small Ensemble
- Tonal/Classical
Series 1, Ex. 3 - Trio tonal improvisations in classical structure
Trio tonal improvisations in classical structure.
- Tonal/Classical
- Solo Instrument Specific
Tonal duo improvisation
Free duo improvisation (violin / piano) in a romantic idiom.
- Tonal/Classical
- Small Ensemble
Series 1, Ex. 2 - Classical structure - periodic phrase
Blind Date: following changing harmonic progressions with melodical instrument.
- Tonal/Classical
- Small Ensemble
Series 3, Part 1 - Feeling at home within a structure
Applying an improvisational approach to chamber music repertoire performance.
- Tonal/Classical
- Solo Instrument Specific
Improvising melodies on a chord progression
Exercise in which improvising a melody on a repetitive tonal chord progression is developed step by step. The exercise needs at least one ‘soloist’ and one ‘accompanist’.
- Tonal/Classical
- Small Ensemble
Series 3, Part 2 - Connecting further with the structure’s expressive power
Keeping the original structure tonally-free.
- Tonal/Classical
- Small Ensemble
Series 1, Ex. 5 - Classical structure - Tonally free
- Small Ensemble
- Tonal/Classical
Series 2, Ex. 2 - Trio musical mind-reading
- Small Ensemble
- Tonal/Classical
Series 2 Ex. 3 - Tonally-free, Classical structures: string quartet, voice and piano
- Tonal/Classical
- Small Ensemble
Series 3, Part 1- Ex. 1.2: Feeling at home within a structure (step 2)
Applying Improvisational approach to chamber music repertoire performance (step 2).
- Tonal/Classical
- Small Ensemble
Series 3; Part 1; Exercise. 3 - Feeling at home within a structure step 3
Combining full text with reduction.
- Tonal/Classical
- Small Ensemble
Series 3; Part 1; Exercise. 4 - Feeling at home within a structure step 4
Giving-up eye-contact.